Find after the cut the insulting article as reported by
... It is one of the most expensive cities in Africa, and one of the most charmless.
The skyline is dominated by the space-rocket spires of the National Christian Centre and the golden dome of the National Mosque, facing each other pugnaciously across a busy highway at the city's centre.
Its other striking landmark is the vast construction site of the Millennium Tower, which, if it is ever completed, will be Nigeria's tallest building.
The skyscraper was intended to mark Abuja's 20th birthday in 2011. Now delayed until who-knows-when, hugely over-budget and the subject of numerous official investigations.
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The National Mosque stands at the side of a busy
road in the city centre
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I had been in Abuja for three days - about two-and-a-half too many - when my friend, Atta, a sociologist, picked me up from my hotel.
We drove out towards Aso Rock, the monolith looming over the presidential palace.
On either side of the road there are complexes of bulky, imposing mansions, most of them unfinished.
Some had empty swimming pools; others had mock-Tudor timbering, but were windowless and often roofless.
Atta told me that 65% of the houses in these developments were uninhabited, put up only to launder Abuja's dirty money.
Like the Millennium Tower, these grandiose schemes are ruins before they are completed, bleak monuments to a city built by kleptocratic politicians on stolen land.
We pulled off the Murtala Mohammed Highway at Mpape Junction, and immediately the road deteriorated.
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There are many uninhabited mansions near Aso
Rock
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"I am going to show you the
real Abuja," Atta told me, as his car struggled up a deeply-rutted dirt
track.
A warm wind from the desert to the
north - the Harmattan - whipped clouds of red dust around us as we climbed
through rocky scrubland into the hills.
Life here is difficult. Often we
can't see across the street because of the smoke and dust”
People began to appear on the
streets - men carrying ancient Singer sewing machines, women balancing baskets
on their heads.
We entered a vast shanty-town of
shacks with corrugated iron roofs, slums stacking to the horizon.
Nissan minivans scuttled past - they
are called "One Chance" buses, as they barely stop on their manic
journeys through these uncharted streets.
Crowds thronged between skinny cows,
beneath posters advertising beaming televangelists.
Dance music blared out, interrupted
by a muezzin's call to prayer. Bright-eyed children kicked footballs about.
This was the home of the Gwari
people, the original inhabitants of the land where the capital was built.
Hundreds of thousands of them were
summarily evicted in the 1970s, and now scrape a living in the hills.
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Many of the original owners of the land around
Abuja are now living in poverty
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Abuja is itself a Gwari word and,
although the city of generals and politicians below us had barely 700,000
inhabitants, two or three million people live in these shanty towns, many of
them Gwari.
The Gwari people continue to fight
for compensation for the land wrested from them by the Obasanjo government,
land now worth more per square kilometre than almost anywhere else in Africa.
We got out and walked through the
smoke and dust towards a row of shacks.
In one of them, a woman knelt on the
ground plucking a chicken, a man above her leaning on a makeshift bar.
They were Frank and Mary, Gwari
people in their thirties, children of one of the thousands of families
originally evicted during the foundation of Abuja.
The four of us sat in the shack
sipping Fantas, staring out at the swarming life of the shanty town: Motorbikes
and cattle and people, all of them through a veil of reddish dust.
"I trained as an
architect," Frank told me. "I have an education. But I do not have
money, I don't know the right people. So I work here with my sister. In Abuja,
money defines everything."
I ask him about the empty mansions
lining the roads into the city.
"That is pseudo-Abuja, a false
place. It's unjust - we should be living in those houses. Instead…" He
gestured to the squalid lean-to that jutted from the back of the bar.
Mary looked up from her chicken.
"Life here is difficult," she says.
"Often we can't see across the
street because of the smoke and dust. If it rains, you can't move for the mud.
But we pray hard."
"This," Frank said, as the music coiled out from an ancient hi-fi, "is the compressed statement of Nigerian society. We suffer, but we smile. Nothing will change until we get angry, until we stop smiling."
A storm was coming in, red clouds rolling overhead and thunder crackling down the valleys.
Frank and Mary stood waving to us, the music playing still, as we drove off down the hill, towards pseudo-Abuja.
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Thick dust and smoke often fill the streets
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